Editor’s note: This review originally ran during the 2013 Sundance Film Festival. “Stoker” opens nationwide on Friday. South Korean auteur Park Chan-wook‘s filmmaking always dances a fine line between ...

A new clip has been released from Park Chan-wook's Stoker. The film centers on a young girl (Mia Wasikowska) who encounters her mysterious uncle (Matthew Goode) while mourning the death of her father ...

While the name Stoker may immediately lead one to think vampires, think again. “Stoker” is an American gothic soap opera and dark coming-of-age film that benefits greatly from its chilling atmosphere ...

When I first heard the “Hey, Stoker! Or is it Stroker now?” line in the trailer for Stoker, I figured it was just another addition to the canon of assholishly self-amused bonehead movie bullies, a ...

Stoker, the English-language debut from revered Korean director Park Chan-wook, is an odd blend of American gothic sensibilities married with Hitchcockian levels of suspense. The film stars Mia ...

The meetings feels rather clandestine compared to standard publicity affairs. At the end of a hotel hallway, a press agent’s bedroom is converted into a pop up interview suite with just enough space ...

This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. Stoker is latest film from renowned Korean ...

"Stoker," despite its title, doesn't have anything to do with "Dracula" author Bram Stoker. Neither, for that matter, does it have anything to do with vampires, except in the most figurative of senses ...

There’s a suggestion of vampirism in the title of “Stoker.” The stylish chiller shares its name with Dracula’s author, but its fixation on blood moves in a different direction – deposits, not ...

We sat down with him at the festival to pick his brain about his upcoming film “The Handmaiden,” his experience working with Fox Searchlight on “Stoker,” his Hitchcockian influences, and his former ...

There is one particular visual metaphor in Stoker, South Korean director Park Chan-wook's opulently gruesome English-language debut, that indicates its intentions so bawdily that the audience, or my ...