The two pianists sat down for encores, and at the same piano: the encores would be four-hands, not two-pianos. Wang and ...

Last night, the New York Philharmonic offered a program with an accent on the mysterious and the French. Guest-conducting was ...

“H ow do you know what someone wants to be called?” A little girl—or at least she would appear to be a girl—ponders this ...

In the early 2000s, we often collaborated with the Studio School on lectures, panels, and symposia, in which many of which ...

John Check on “The Catholic Beethoven,” by Nicholas Chong.

This dialectic is partly a partisan political drama, partly an economic salvage effort, partly a chapter in that long-running ...

In Luke Stegemann’s perceptive “new biography” of the kaleidoscopic capital of Spain, he chides Hemingway for possibly being ...

His works are antic, hers austere, yet these independent-minded sculptors are united by their fearless pursuit of personal ...

An Idea and Its History,” by J. C. D. Clark.

Muse to Power,” by Hugo Vickers.

Soon came an explosion of monographs, biographies, and dissertations on Furness and his contemporaries. This rehabilitation ...

V is itors to The Frick Collection often ask how Henry Clay Frick (1849–1919) became a collector. How did such a ...