13K views · 47 reactions | In “Nickel Boys,” the director RaMell Ross worked with the cinematographer Jomo Fray to employ an unusual first-person perspective—which they eventually called “sentient perspective”—that brings viewers closer to the interiority of the characters. Ross explains how he made one of “the most haunting frames of the entire film”: https://newyorkermag.visitlink.me/THGooM | The New Yorker | Facebook